INTERVIEW W/ DENIRO

by Vernetta

Hailing from the vibrant techno landscape of Amsterdam, Deniro is a trailblazing producer renowned for his ability to craft immersive sonic experiences.

As a beacon of inspiration within the techno community, Deniro's influence extends far beyond the confines of the DJ booth. His imprint on the industry is felt through his evocative productions, electrifying performances, and unwavering commitment to authenticity. With each beat, he invites listeners to embark on a transformative journey, where the boundaries between past, present, and future blur into a mesmerizing tapestry of sound.

In this exclusive interview, we delve into the mind of Deniro, exploring the depths of his creative process, the evolution of his sound, and his vision for the future of techno. Keep reading as we unravel the enigmatic layers of one of techno's most enigmatic maestros.

-  How did you first get into techno music, and what drew you to become a DJ and producer in this genre?

First, I attended Dimi Angelis' illegal raves when I was just a kid. It was quite amusing because we were the only youngsters there. We arrived by cab, which was really NOT DONE. That's where I saw one of my heroes, Steve Rachmad, playing. I was super impressed! After that, I got my own gear at home, while I still lived at my mother's place, and started making music. I spent all my time from when I woke up until I went to sleep on it. It wasn't so good for my schooling, but practice really helped me a lot.

- Which artists have inspired you the most musically? 

Steve Rachmad and Robert Hood are two artists I admire because I really like the tracks they play. When I was young, and still do, I loved the late 90s sound, so I listened to all their sets around 2000. I think I had around 50 sets of Steve on my computer and, of course, as a producer, his music and melodies always touched me. So, I believe if you listen to my more melodic tracks, you can easily hear that he is my biggest inspiration. Robert Hood's early M-Plant tracks (and sublabels) are simply from another planet; they are just perfect. I don't dance much, but when Steve was playing a lot of Robert Hood stuff at one of Dimi's illegal raves, I definitely danced.

- Every artist has a journey that shapes their music. Could you describe a specific moment or experience that profoundly influenced your approach to techno production?

When my friend Thomas Matojo and I attended every techno party we could find, we saw artists like Jeff Mills, etc., and were completely blown away. After the parties, we would go home and search for the tracks (back then, there was no Beatport/Shazam or anything like that). It was all about the records. We were always looking for tracklists online. Then we downloaded the tracks and labels and played them on Atomix MP3 (a virtual mixing program). However, as my production endeavors became more serious, I realized I wanted to create Detroit-influenced music with chords and melodies. I aimed to produce tracks that are enjoyable to listen to at home as well.

- How would you define your sound?

Melodic Detroit Techno, with some bangers, tools in between. I mostly play ‘old’ music, but I also found some (new)comers like me who are also bringing that sound back! Decka and Roseen for example. I’m playing their tracks always.

- Looking ahead, what are some personal or professional goals you aspire to achieve in the next phase of your career as a DJ and producer in the underground techno scene?

I just want to make music and expand my label Tape Records Amsterdam. There are a lot of nice releases coming up. And I'd like to play as long as I can. 

- Throughout your career, you've likely played in various venues. Can you name a couple of underground clubs that hold a special place in your heart, and what makes them stand out in terms of atmosphere and crowd energy?

RSO Berlin is one of my favorite places to play. I can play whatever I want and the audience understands it.

For the rest, there are a lot of intimate clubs in Spain, like Cassette Club in Madrid. People in Spain know how to party!

- Some artists thrive in intimate, smaller venues, while others prefer larger festivals. What is your preference, and how do you adjust your set to suit the size and vibe of the venue?

I like playing in smaller intimate venues / festivals where the vibe is just right. An example is one of my favorite festivals: Basilar, where I've played for two times already and the third one is coming. All over the world, even in Colombia, people came to me and said that the set at Basilar was so good. It’s more like a family feeling.

- In your opinion, how has the techno scene evolved over the years, and what trends or changes do you find most interesting or influential?

In my opinion, hard and fast isn't always the best approach. In my sets, I aim to tell a story that I want to share with the audience. Speed and intensity are distinct elements. For instance, tracks by The Advent and Robert Hood are intended to be played fast but aren't necessarily hard, in my view. I strive to blend these elements in my own style, but there's a limit you won't hear me exceed: 160 bpm.

- What advice would you give to aspiring DJs and producers who are looking to break into the techno scene?

It might sound cliché, but it's true: Stay true to yourself. Discover your own voice and sound. While it's okay to draw inspiration from others, avoid imitating other producers/DJs. We already have plenty of them. And most importantly: practice, practice, practice! I believe I've spent half of my life in the studio honing my craft.

- Mixing and mastering are crucial aspects of music production. Do you have any particular approach or advice for achieving a crisp and powerful sound in your tracks?

Now, if you were to ask about two aspects I don't consider myself particularly proficient in, others might contradict me. Perhaps it's because when it comes to sound, I rely heavily on vintage synths, drum machines, and mixers.

DENIRO