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INTERVIEW: Fluxion




Konstantinos Soublis aka Fluxion, is a Greek DJ and producer who's made a serious mark on the electronic music scene with his knack for blending dub, techno, and ambient sounds. Since his debut in the late '90s, Fluxion has been a pivotal figure in the evolution of dub techno, particularly through his work with the Chain Reaction label. His tracks are known for their immersive atmospheres and deep, introspective textures.

With a career spanning over two decades, Fluxion has remained a steady force in the global electronic scene, constantly pushing boundaries and exploring new sonic landscapes. He’s not just about the dance floor either—his music often incorporates experimental elements and sound design, creating unique and emotive auditory experiences.



How did you first get into music, and what drew you to become a DJ and producer?

I had a sensitivity towards music from an early age. In my teens, I was initially drawn to instrumental music, film scores, and later, electronic music. Making music electronically was appealing to me because I could create whatever I wanted by myself, without needing anyone else. This gave me the creative freedom I needed.

I’ve always been a humble and modest individual, and music gave me a way to express different ideas and emotions.


Who were your biggest musical influences when you started producing, and how have your influences evolved over time?

My influences come from everywhere and across the musical spectrum. I’m not dogmatic in my taste in music and can appreciate a variety of genres in different circumstances.

When I was younger, I really liked the minimalists and the concept of repetition. Pop music has always had a set structure: intro, verse, chorus, break, bridge, verse, chorus, outro. I remember thinking, why listen to the whole song when the chorus does it for me? Why not have a chorus-like effect throughout the entire song?

Of course, I understand why pop songwriting is structured that way—to create a feeling of anticipation. Nevertheless, I was drawn to electronic music because it didn’t follow these clichés.


How would you define your sound?

That's difficult for me to say. I like to experiment and keep open boundaries, incorporating elements of techno, dub, experimental, film scores, house, ambient, and minimalistic sound design. I allow the music to dictate its course and direction.

I have a particular way of producing and certain atmospheric sensitivities that give my music a cohesive feel and make it uniquely mine.


What are some of your favorite production techniques or tools that you use to shape your sound?

Nothing specific. The mood is key to everything. You can put me in the best studio, and I might have nothing to say, or give me a laptop and a mini keyboard, and I can create a great idea.

I don’t follow a specific pattern. I might grab a guitar and strum something or hit something. I like to include real-life elements in music production. I prefer parts to be played live for the entire duration of a track rather than copied. It gives the music a real, human feel when something is not perfect or slightly off in timing. I’ve been doing that forever, and maybe that’s a characteristic of my sound.


What is your opinion on the proliferation of large festivals? Do you believe that they can be detrimental to local scenes in the long run and pose a threat to the underground?

A festival is a festival, and a club show is a club show. Festivals provide the opportunity for artists to perform in front of larger audiences. They are based on variety to attract numbers, while club shows can create more intimate, magical moments. Local scenes are crucial as they create new sounds that sometimes grow and end up in festivals.

Local scenes are the key to everything and are essential for the scene to move forward. However, festivals often capitalize on these scenes. Many festivals, being part of large financial groups, push for higher growth, resulting in ticket prices that are not accessible to many.


How important do you think record labels are in today’s music industry, particularly for underground genres like techno?

Not that important. There was a time when a label represented the sound and face of an artist. A time when no one sought recognition, at least in the electronic scene. Nowadays, anyone can do it their way and promote it how they want.

If labels in the past gave new talent the opportunity to release music, now you don’t need that opportunity; you can just release it yourself. There’s a lot of music coming out every day, sometimes to the point where it becomes noise. While freedom is nice, good curation is rare, and there are only a few labels that have done it right for years.


How do you view the evolution of underground techno in recent years, especially with the break from the traditional 4x4 beat and the incorporation of breaks?

I’m not sure that tempo signatures are essential. It feels like we’re not looking to the future but rather recycling the past. Sometimes, it feels like we’ve lost measure, direction, and purpose.

I read something Steve Bug wrote a few days ago. If I remember correctly, he said that in today’s electronic music scene, mastering the art of social media outweighs mastering the actual craft of music making. I feel that accurately describes our times.


Could you share with us any producers or artists you believe are doing exceptional work right now?

  • Lawrence

  • Cobblestone Jazz

  • Rival Consoles


Can you tell us about any upcoming projects or releases?

There is something definitely coming soon, but I can’t share more at the moment.


What advice would you give to aspiring DJs and producers who are looking to break into the techno scene?

I will make a distinction between DJs and producers/writers of original music. They are often lumped together, but I believe they are two different things. I will share my opinion about the latter.

Don’t rush things and don’t try too hard. Stay in touch with yourself and find space to express yourself. Art is not about success; it’s a human need. If success comes along, embrace it. But if not, being true to yourself makes the journey worthwhile!


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